A series of events will be organised by Laetitia Sansonetti (Université Paris Nanterre & IUF), Julie Loison-Charles (Université de Lille) and Claire Hélie (Université de Lille) at Université Paris Nanterre & Université de Lille in 2022, 2023 and 2024, including two conferences in 2023 and 2024.
Over the past 500 years, English has gone from a marginal language hardly spoken by anyone outside of England to a global lingua franca with speakers, native and non-native, all over the world. This has created situations of multilingualism both within countries where English is the main language and elsewhere, as many people who speak English on a regular basis are not native speakers, and the language itself has come into contact with other languages in the course of processes of colonisation, immigration, and globalisation. Beginning in the sixteenth century, these processes have broadened the contact zone of English, redefined its relations with the classical languages of humanist communication as well as with modern European languages (some of which have developed varieties outside Europe), and ultimately led to a questioning of the majority/minority-language binary. Literature and the verbal arts, be it to give a realistic description of the world or to experiment with language and form, have reflected, registered and contributed to such plurilingual practices.
Evolutions in the status of English as a communication language in everyday lives and in artistic productions go hand in hand with evolutions in translation techniques and strategies, with the development of translation into English as a necessary means of worldwide communication as well as the acknowledgment of varied linguistic and cultural skills in target audiences. More generally, traditional social constructs applied to analyse language use and cultural productions in translating, such as the “foreign/native” or the “source/target” opposition, are in need of redefinition. Likewise, the concept of lexical borrowing needs to be reexamined if English is considered a multilingual language from the start, with its elaboration relying on words and structures taken from Saxon, but also Latin and Romance languages – as the lexicographers (and the translators) from the Renaissance already knew.
This two-part conference welcomes both synchronic and diachronic approaches to the interplay between multilingualism and translation involving English as source or target language and at least one other language in works of literature, the performing arts and audio-visual productions, from the sixteenth century to the present. Multilingualism will be taken in the broad meaning of the co-presence of several languages within the same work, thus including neighbouring concepts such as heterolingualism, and such phenomena as code-switching and multi-ethnolects. Papers that combine methodologies from linguistics, literary/film studies and translation studies will be particularly appreciated.
Possible topics include, but are not limited to, the study of:
- Strategies of translation that deal with multilingual sources, or that turn monolingual sources into multilingual translated works
- Editions of texts with their translation(s)
- Cases in which the target language also features in the source
- Comparisons of translation strategies in various target languages for English sources
- The rendering of phonetic specificities in both text and performance
- The translation of metadiscursive comments/elements in multilingual contexts
- The specific issues raised by dubbing and subtitling/surtitling
- Multilingualism and forms of expanded / contrapuntal / prismatic translation
- The technologies developed/adapted to facilitate the translation of multilingual texts
The first part will take place at Université Paris Nanterre (30-31 March 2023), and will focus more specifically on literary works in print (and the issues related to translating and publishing multilingual texts) from the sixteenth century to the present. Keynote speaker: Dirk Delabastita (Université de Namur).
The second part will take place at Université de Lille (February/March 2024), and will focus more specifically on the performing arts, films and TV series (and the challenges set to translators by aural effects dependent on multilingualism). Keynote speaker: Charlotte Bosseaux (The University of Edinburgh).
Please send abstracts (300 words) and a short bio-bibliography in English or in French for either conference to Laetitia Sansonetti (firstname.lastname@example.org), Julie Loison-Charles (email@example.com) and Claire Hélie (firstname.lastname@example.org) by June 1, 2022.